Well you can add another name to the list of people in the comic/film industry who have come out to voice their issues with Singerman. The latest one being Hollywood director and comic writer Kevin Smith, who by his own admission is a huge fan of the Man of Steel. As you may recall, Smith was actually brought on the Superman Lives film project a few years ago before Jon "Let me show you what boys have" Peters ultimately scared him off the project with talk of gay robots and polar bears.Smith appeared at last weekend's New York Comic Con and conducted a Q&A session for fans. Some of the fan questions had to do with his impression of the group of comicbook films that have been released recently. According to numerous reports, Smith responded with the following regarding Singerman:
"It was kind of....boring," he said, before launching into a diatribe on the lameness of Lex Luthor and the silliness of pitting a superhuman alien against a real-estate scam artist. "I'm gonna get a mortgage at .4 percent!" Smith joked. He said that X3 was better than Superman Returns, and also went off on another tangent, about supposed logic problems with the film.If I had a nickel for every time I heard someone say that Singerman was boring or pointed how stupid the Luthor land scheme was, I might have enough money to make my own $200 million disaster. Smith also echoes our earlier point about Singer's giant cop-out of using the first two film's continuity but only where he sees fit. If you're going to pick up where another film left off, you've got to do it all the way. You can't just pick and choose where you want because the audience has no idea what's in continuity and what isn't. Despite the lameness of a lot of Richard Lester's Superman II, that's what people know since that's what was released to the public, the vast majority of the audience will never see the Donner cut (although as one of our astute readers pointed out, in Donner's cut Supes turns back time anyway so the sex never happened so Singer is still screwed.) Sticking with that, you've got Lois who has a kid with superpowers who never remembers sleeping with an infinitely powerful being (well, some of the time at least) who she knows could use his powers to do pretty much anything he wants to someone. No, that's not creepy at all... Good job Singer!
According to Smith, the logic problems occur if you accept Bryan Singer's premise -- that Superman Returns picks up where the second film leaves off, with Superman having sex with Lois, then giving her an amnesia kiss and taking off to go find his relatives and whatnot. When Lois finds out her kid in Superman Returns can throw a piano, and is therefore Superman's kid, why is she not very surprised? She should have no memory of having sex with Superman, so
when she visits him in the hospital, shouldn't her first question to him be -- Smith's words -- "When did you rape me?"



